Tuesday, June 24, 2008

The technique of Massing


I have decided to focus this post on my humble beginnings as a painter. David A. Leffel, notable international Artist was one of my first teachers. He taught this most valuable technique of "Massing".... and that you did not necessarily have to put down a careful drawing before you paint...a sketch is OK, but not an outline like in a child's colouring book. Massing your subject as a flat plane, rather than in terms of it's details. Massing gives a feeling of weight and also starts you thinking about composition and negative space. You are always working from the large shapes to the small. Form comes first, details later. If a painting fails, it is usually because the details have been focused to early on in the process. It is essential that the overall abstract design or composition and the colour relationships be worked out. It is good to spend a lot of time on the earlier stages of a painting and adjust as you go along.
This little painting, one of my first in the small format is 5" x 5", oil on canvas, and is titled "Wandering Bouquet".
David A. Leffel has two books published: "Oil Painting Secrets from a Master" and "An Artist Teaches, Reflections on the Art of Painting www.brightlightpublishing.com. Both are excellent books to keep in your studio, or on your night table.

2 comments:

Sharilyn Miller said...

Carole, thank you for sharing such an exquisite little painting! And your thoughts on how to approach a painting... as you know, I really want to paint and it is hard to know how to start when you haven't had any instruction in over 20 years. I loved reading what you said about "massing" the larger shapes and adding a few details later.
What I love about this painting is that it is very abstract, but it is soft and inviting as well. Are you going to start doing "a painting a day" and sell them on ebay? You'll make a fortune!
Cheers,
Sharilyn

Boldizar said...

You said, "If a painting fails, it is usually because the details have been focused to early on in the process. It is essential that the overall abstract design or composition and the colour relationships be worked out."

J. Krishnamurti: "If we can really understand the problem, the answer will come out of it, because the answer is not separate from the problem."